Miguel Costa
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Josh Island | Love in the Corner
Participação do mixEnsemble no tema “Love in the Corner” do álbum Imaginary Borders de JOSH ISLAND. Orquestração de Lino Guerreiro
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Pour Clarinette
The content emphasizes the significance of rubato in music, highlighting its essential role in real-time composition, improvisation, and the overall creation process. It asserts that a performance must authentically reflect its intended essence, suggesting a profound connection between execution and artistic expression.
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Valsa ao Sul
The content expresses a deep, unexplainable impetus that drives creative expression, presenting a sense of inevitability in choosing a path. It emphasizes embracing this feeling without judgment or rationalization.
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Sete Pecados Populares
In search of idiomatic writing for the clarinet, the initiative led by Miguel Costa aims to explore original material. This creative journey promises fresh compositions that resonate deeply with performers and audiences alike, showcasing the clarinet’s unique voice through innovative works. Multiple video links illustrate this artistic exploration.
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Krone
The work is centered around a disconcerting waltz, which serves as its genesis. This central waltz is enveloped by continuously deconstructed original materials, emphasizing the theme of deconstruction itself. Commissioned by Miguel Costa, the piece invites exploration of its intricate layers. A purchase link is available for interested listeners.
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bassoon, cello, chamber music, clarinet, euphonium, flugelhorn, flute, french horn, guitar, marimba, oboe, obras/works, saxophone, trombone, trumpet, tuba, vibraphone, viola, violinRomanesque
Experience the enchanting blend of education and artistry with this small pedagogical piece, evoking Renaissance essence. Designed for four equal instruments, it promises to elevate your musical journey.
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Haze
The content discusses the interplay between the virtual and real in the creative process, emphasizing the transformation and essence through a deconstructed approach. It highlights the freedom of real-world participation when deemed necessary, reflecting a nuanced exploration of artistic expression.
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Interaction
The content discusses a four-minute performance based on the interaction between the interpreter and the recording. It outlines three speech types: constant (Prime), irregular (Interaction), and returning to constant (Conclusion), with the interpreter responsible for musical decisions, aiming to create a coherent dialogue.