🇬🇧 “A project whose philosophy is to serve music and artists, across different musical contexts, for a wide variety of purposes.” 🇵🇹 “Um projeto que tem como filosofia servir a música e os artistas, dentro de diferentes contextos musicais, para os mais variados fins.”
🇬🇧 Cancioneiro Popular Português, by Michael Giacometti and Fernando Lopes Graça, is the basis for this album by Quarteto ARTEMSAX & Lino Guerreiro. 🇵🇹 O Cancioneiro Popular Português, de Michael Giacometti e Fernando Lopes Graça é a base para este disco do Quarteto ARTEMSAX e Lino Guerreiro.
🇵🇹 para proporcionar uma aprendizagem eficaz, progressiva e inteligente 🇬🇧 to provide progressive, intelligent and effective learning through using the same resources for different purposes 🇫🇷 pour lui fournir un apprentissage efficace, progressif et intelligent
🇬🇧 a personal reading about Portuguese Popular Music, and how it should be inserted in modern society. 🇵🇹 uma leitura pessoal sobre a Música Popular Portuguesa, e sobre a forma como esta deveria estar inserida na sociedade moderna.
🇬🇧 dos Bichos is a ten-movement suite for wind orchestra, programmatic music inspired by Miguel Torga’s literary masterpiece. 🇵🇹 dos Bichos é uma suíte em dez andamentos para orquestra de sopros, música programática inspirada na obra-prima literária de Miguel Torga.
🇬🇧 a collection of ten short traditional Portuguese songs, arranged for choir (SATB) & more. 🇵🇹 uma coletânea de dez pequenas canções tradicionais portuguesas, para coro (SATB), e mais.
🇬🇧 from a personal canon, an inevitable album. 🇵🇹 de um cânone pessoal, um disco inevitável.
The content discusses the author’s fascination with rhythm, drawing connections to composers like José Eduardo Gramani and Olivier Messiaen. It introduces the work “Balkan,” which embodies the concept of “regular irregularity” through its four movements inspired by Balkan folk dances. The piece features a bass clarinet solo with concert band accompaniment.
This concise work features two quotes from seemingly unrelated universes, demonstrating how the concept of “groove” serves to unify them. It invites exploration of diverse perspectives while highlighting the interconnectedness of distinct ideas.
Emerged from a world music festival experience, shaped by shared moments, informal encounters, and exchange between musicians from different backgrounds. Rather than describing a place, the piece reflects a context, rhythm, collective energy, and circulating ideas. Writing and improvisation coexist naturally, growing from interaction and making music together live onstage.
