chamber music
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accordion, bassoon, cello, chamber music, clarinet, electronics, euphonium, flugelhorn, flute, french horn, guitar, marimba, oboe, obras/works, percussion, piano, saxophone, trombone, trumpet, tuba, vibraphone, viola, violinÉtude 4 sur 3
A captivating fusion of musical theory and creativity unfolds in this piece, which innovatively transforms the conventional canon by utilizing three voices based on a perfect fourth. This bold approach defies traditional expectations, breathing new life into the relationship between intervals and vocal harmonies.
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![.INT. [41.11]](https://linoguerreiro.com/wp-content/uploads/2011/04/int4711.webp)
.INT. [41.11]
This piece highlights the clarinet as a primary soloist, influencing the accompanying instruments. It embodies the concept of open music, allowing performers to interpret various sections, which evoke themes of instability and unease throughout the composition.
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Ostinatus
This piece, features two contrasting movements centered around rhythmic and melodic ostinatos. The first movement highlights technical challenges, while the second delves into the expressive nature of the main theme. It was commissioned by saxophonist João Pedro Silva, emphasizing the clarity of the initial concept.